Ink, while not particularly expensive per can, can add up fast. Accruing a full compliment of
Pantone mixers can run you into the hundreds and I think that this is why new printers are hesitant to try out different brands and types. This was definitely true in my situation and while I wanted to do something about it, I just didn't want to make more investments into something that might not/would not work. For a long time I was sticking with the devil I knew.
Slowly but surely, though, I bought some left over ink via eBay and was given some freebies by other printers. And it was a freebie that saved the Sara Morris job for me. Take a look at the photo below. The page on the right was printed with VanSon silver; the one on the left, Speed Master 9000 series silver. I had started the job with my tried and true VanSon (the particular brand of rut that I was mired in), and when printing on white paper, the VanSon worked like a charm. On dark stock it was another situation completely and there was hardly any metal flake. AT ALL. I even tried double printing it to no avail. Then I freaked out! All my set up was done! What was I going to do?! I couldn't print a job like this, with this horrible quality!! A completely wasted day! Until... I remembered that I had a freebie ink in Silver. And, well, you can see for yourself the difference. Like night and day. So. I guess the moral of this little letterpress tale is to experiment a little. You never know when it will save your job and save you from mediocrity.
left - single hit Speed Master 9000 series ::: right - double hit of VanSon Silver